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Images have been an important way to shape countries’ identity.

As much as texts diverge in their approaches and methodologies, there can be found key words that glance over them, in their search to find ways to convey urban life.

Visual art, of course, has always been present, and perhaps it antedated both oral and print tradition in the prelapsarian times before human language emerged.

However, the shift in term from visual art to visual communication is fundamental.

The second image belongs to the central square in Montevideo, Uruguay, on a holiday in which there was a protest march for the families that had lost their members during the dictatorship period.

Dictatorship and abuse of power are familiar words in Latin American countries, but more effective than words and written concepts and claims are images that expose pictures of disappeared people.

If particular social subjectivities can be lost in the analysis of the complex issues of urban life, the value of examining specific texts as texts—rather than large groups of textual production—is that it reminds us of the importance of culture for its power to represent and interpret individual life experiences.The first in such an order would be “Latin America.” It may well be that Latin America is the creation of U. ideological imperialism in the nineteenth century and that no one living in Latin American calls herself/himself “Latin American,” as opposed to the way in which the European Union has legitimated a continental identity of “European.” At the same time, the invention of Latin America has been abetted by a certain Marxian ideology whereby it is legitimate, from an anti-imperialist point of view, to speak of a continuum of sociopolitical interests, although it may be difficult to find any wholesale subscription of such a point of view.Yet, almost two hundred years of the uses and abuses of such a continental identity have meant, in fact, that there are some transborder continuities of identity, even if they are no longer the traditional ones of Luso-Hispanic language, Catholic religion and Iberian heritage.The first one represents city elements, such as high buildings and colors, all in lines and sketches that could belong to any megalopolis in the world, having the main features that characterize physical basic structures.The image could have been done digitally, shaped following a template that contains typical forms and signs.

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Nacionalismo colombiano y videos musicales en tiempos de globalización......................................................268 Juan Carlos Valencia Rincón Representations and images of Latin America..........................297 Lisabete Coradini O caveirão do Huck [The Huck’s big skull]................................319 Mariarosaria Fabris info 5 A construção da metrópole em tempos de crise: Terra Estrangeira e Mundo Grua............................................343 Marina Cavalcanti Tedesco Imagens da diversidade: cidade e feminino no cinema brasileiro contemporâneo........................................367 Sandra Fischer About the authors......................................................................394 Sobre essa edição.....................................................................401 info 6 Preface Visual Communication: Urban Representations in Latin America is a title that is composed of three keyword clusters.

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